I’ve never encountered anything like it with this sort of docudrama, a preemptive attempt to debunk the show you’ve just watched, because its writer wants you to go find the truth yourself. Each episode of The Chernobyl Podcast - there are five, one for each episode of the miniseries - lets you know what was definitely true, what was only sort of true, and what was condensed or invented for dramatic effect, relative to what you’ve just seen onscreen. Chernobyl simply showcases that thoughtfulness and knowledge within the context of the prestige TV miniseries, where it’s easier to immediately appreciate.Īnd even more of his thoughtfulness and knowledge is on display in The Chernobyl Podcast, a companion to the miniseries that explicitly deconstructs and calls into question a lot of what Chernobyl depicts.

Even setting aside the fact that Hollywood writers often have to work on wildly different projects to stay employed, there’s still a pretty big gap between Chernobyl and the Hangover movies!īut people who’ve listened to Mazin’s terrific screenwriting podcast, Scriptnotes, which he co-hosts with fellow screenwriter John August, will know that Mazin is deeply thoughtful and knowledgeable about how to craft a compelling narrative, no matter the subject at hand.

the two sequels to the 2009 hit comedy The Hangover. The second is that the man behind it is Craig Mazin, whose most notable credits prior to Chernobyl were. It is matter-of-fact about the sheer scale of the pain and trauma these people experienced, and what had to be done to ultimately save the world. The first is just how compelling and watchable it is, despite being what amounts to an incredibly grim horror story about the people who sacrificed their lives after a reactor at the Chernobyl nuclear power plant exploded in 1986, so that the situation wouldn’t grow even worse. HBO’s terrific five-episode miniseries Chernobyl has two big surprises up its sleeve.

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